mvworks is looking for two new dancers!
Saturday, July 7th 5 – 7pm
DANY Studios, Studio 1
About mvworks upcoming project:
Premiereing in fall of 2013, mvworks new evening length project explores authentic movement, genuine performance, and our base need to feel connected to one another. The work will continue our investigation into the audience performer relationship, kinetic transfer, and will utilize a wide-ranging movement vocabulary from technically based phrases to an unpolished movement style.
What we are looking for:
- Committed performers willing to take a variety of risks (physically, mentally, emotionally…) or put another way, performers who value both physical and emotional rigor in performance
- Technically sophisticated movers
- Open minded, kind souls who appreciate the power of movement and collaboration
- Proactive communicators both inside and outside of the studio
As many of you know, in addition to running mvworks I am also the Director of Marketing and Public Relations at New York Live Arts, a non-profit organization formed out of the merger of Dance Theater Workshop and the Bill T. Jones/Arnie Zane Dance Company. Maintaining a balance between creating work and running my own dance company, and promoting hundreds of inspired movement based artists and the institution that supports them has always been challenging. I continue to negotiate and redistribute these scales as necessary because each company gives back in ways that continue to surprise and delight me. Every year I learn more and grow as an artist, an arts administrator, and a person. The past two weeks are a wonderful example of how these worlds complement and compete with each other.
On September 16 New York Live Arts opened it doors with performances of the Bill T. Jones/Arnie Zane Dance Company. To say that it was a gargantuan project to transform into New York Live Arts from Dance Theater Workshop may very well be an understatement, but on Friday night as the lobby hummed with conversation and passersby stopped on the sidewalk wondering what the excitement was all about we had finally arrived. The performances were powerful. And for those of us that acknowledged the beauty of opening the organization with pieces that premiered at Dance Theater Workshop over 30 years ago and had not been seen in New York since, found the evening poignant and elegant.
As part of the opening program Bill T. Jones and Carla Peterson invited artists from throughout the dance community to appear as guest performers in Continuous Replay, a work created by Arnie Zane and reconstructed by Jones. I was lucky enough to be one of the staff members asked to perform. At first I was hesitant. I have worked in that building for over eight years, and never have the administrator artist lines been merged/blurred so clearly. It didn’t help that Continuous Replay begins in the nude (guests are of course permitted to start clothed, but the work is envisioned as a accumulation of movement, space, clothing and more). As I debated what was the most “professional” thing to do as an artist and as an administrator I nearly talked myself out of performing. Thankfully a dear friend encouraged me to just do it for myself, and not as part of any self imposed role. So on Wednesday and Thursday night, Sep 21 and 22 respectively, I found myself backstage getting ready to step onto the stage that I have watched countless numbers of others dance on for years. A privilege I was certain I would never experience.
The performances were surreal (particularly Thursday when I opted to begin nude with the rest of the performers). Never in my life would I have imagined that not only would I perform on that stage while I still worked for the institution, I would have said that hell would have to frieze over before I showed my derrière. Well, so much for boundaries. I performed nude with the Bill T. Jones/Arnie Zane Dance Company during one of the most debated openings in recent dance history for an institution whose brand and public presence is my responsibility. It still feels like a dream where I wake up feeling silly for even subconsciously thinking it could be possible.
Of course, as life and schedules would have it ,this was also the week mvworks was headed into a three day intensive rehearsal period. On Tuesday, Wednesday and Thursday the company continued to push our current project, Hold my Hand, forward. The piece has shifted dramatically in the past month-and-a-half and during our intensive it continued to ground itself deeper in this new approach. We have let go of many of the previous guiding principles (such as the performers relating to one particular area of the audience) and have found new life in a work that was beginning to feel stymied.
Overlapping of this proportion has never happened, in fact I would say I have tried to avoid it. But the during the week of September 12th and 19th, 2011 all of the barriers came crashing down. I was a dancer, a choreographer, and an administrator and I loved it.
It has been an absolute privilege to work for mvworks over the past month! Megan Sprenger is incredibly knowledgeable and has taught me so much about both arts administration and running one’s own dance company. As mvworks’ first intern, I completed many tasks, such as helping with the compilation and revisions of the annual report, launching the portrait project on the blog, researching dance venues and space grants for the company, and maintaining regular email correspondence with the dancers. I was also lucky enough to have the opportunity to assist at the New York Live Arts press conference, during which I learned about the PR side of the dance world. It was so amazing to see how Megan juggles her job at NYLA while creating new work for her company. On the final day of my internship, Megan showed me how she organizes everything for the company, from press kits to props and costumes and everything in between. I never realized how much goes into running a company, so this was truly eye opening. Megan and I also took Kendra Portier’s contemporary class at Dance New Amsterdam the past three Saturdays, which was wonderful! Kendra is such an encouraging teacher and she is truly inspirational. Similarly, Megan has really inspired me to further explore arts administration and I am so thankful to have had this opportunity!
Signing off for now,
Once again our creative residency in Princeton, NJ was a success. We worked hard, relaxed, and received excellent feedback on our new work-in-progress. I can not thank our gracious hosts enough. As always they were beyond hospitable, and everyone felt completely at home.
At the end of the residency, we showed around 30 minutes of work varying from quiet duets to busy quintets full of texture and counterpoint. At first, I was concerned that the heart of the work was still missing. I was glad to hear during our feedback, that the audience had connected with the piece ,and that while it still needs some editing and clarification, it’s core is clear.
During our next few rehearsals we will focus on adding onto sections that resonated with the audience including a duet between Michael and Tara. We will continue to dig deeper into the layering of the work, ensuring that crucial moments can be seen and that the loose nature of the piece works for us, and not against us. I am delighted with what we have created. And am extremely pleased to hear how audiences are receiving the work. I can’t wait for our next showing.
mvworks is busy this fall with work from NYC to Coyoacán, Mexico! This weekend we head to Princeton, New Jersey for our cherished Egg South Residency. Kendra, Michael, and Yarden will be joining us for the first time and Tara and Alli know the drill. I am counting the days until we leave. Egg South has repeatedly been a time of great discovery, forward motion, and laughter.
Up until this point we have been in heavy research and development. Creating movement, duets, trios, solos and trying different combinations of all of the above. This weekend we will try several different choreographic structures and then show a small group of loyal supporters what we’ve come up with. I look forward to getting more feedback, and getting the dancers in front of another audience. Watch out Banyan Rd. here we come!